![]() Otto published an edited version of his youngest daughter’s diary, preserved by one of the women who helped hide the family, in 1947 today, the work is available in more than 65 languages. Anne and her older sister, Margot, died of typhoid in the Bergen-Belsen concentration camp at ages 15 and 19, respectively. Of these eight Secret Annex residents, only Otto survived the war. The “Anne Frank Video Diary” focuses on March through August 1944. From there, the series mixes short clips of the Franks’ lives prior to going into hiding with overviews of life in the Secret Annex, which the four members of the Frank family shared with Auguste, Hermann and Peter van Pels and dentist Fritz Pfeffer. In the new adaptation, Anne’s father, Otto, presents her with a video camera-analogous to the actual red-and-white checkered diary-on her 13th birthday. “We are not making things up,” museum director Ronald Leopold tells Haaretz. Though much of the dialogue is improvised, all of the events in the series correspond with ones Anne described in her writing. The “Anne Frank Video Diary” focuses on March through August 1944, when Anne and the seven other Jews living in the secret annex were arrested after two years in hiding. Haaretz’s Avshalom Halutz, meanwhile, acknowledges the “immediate distaste that might be aroused by video diaries” but says the project is “a fascinating with many good qualities.” The project has its share of critics: Writing in the Jerusalem Post, Rich Brownstein, a lecturer for Yad Vashem’s International School for Holocaust Studies, deems the series, which is viewable in Israel, “jaw-dropping for adults who simply cannot ignore its solicitous premise,” though he admits that it “may work as a starter on the Anne Frank journey, as merely a supplement to the diary.”īrownstein likens the initiative to Eva.Stories, a controversial 2019 series that transformed the wartime diary of Hungarian girl Eva Heyman into an Instagram account: “Both productions explicitly undermine their veracity,” he argues, “seeming to suggest that today’s adolescents are incapable of understanding traditional narrative.” In the same FAQ, the museum outlines the reasoning behind its unconventional approach, pointing out that “young people who are less likely to pick up a book … do watch videos on social media.” ![]() © Anne Frank House 2020 / Photo by Ray van der Bas Of the Secret Annex's eight residents, only Otto Frank survived the war. The video camera takes the place of the diary, yet the approach stays the same: Anne speaks to you directly and invites you into her world and her thoughts.” … We want to reach this group in the same personal and poignant way through Anne Frank video diary. The Anne Frank House explains the power of the videos in a lengthy FAQ page: “The strength of the diary is that Anne speaks to you directly and gives you a personal and poignant glimpse into her life. The rights restrictions means the series won’t be viewable in the United States and other assorted countries, but as Nina Siegal reports for the New York Times, users in 60 countries can view the Dutch-language series alongside subtitles in five languages. The copyright to the diary is held by the Anne Frank Fonds, a separate entity that has faced off with the museum in recent years over how to best interpret Anne’s story. Rather than rendering the diary itself on screen, the episodes interpret events described on page with Anne as the videographer, not the subject of the camera’s eye. Released each Monday and Thursday between March 30 and May 4, the five- to ten-minute clips find Anne detailing such topics as her relationships with other residents of the "secret annex," her joyous reaction to D-Day and her ongoing fears of being discovered. That’s where the “ Anne Frank Video Diary,” a 15-episode YouTube series featuring 13-year-old actress Luna Cruz Perez as its eponymous subject, comes in. But as the distance between World War II and the youngest generation grows-both “literally and metaphorically,” according to the Amsterdam museum-the institution has found itself searching for new ways to relay the history of the Holocaust. The Anne Frank House has served as a key steward of the diarist’s legacy since opening in 1960.
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